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Medieval Palace

Discover the colour, splendour, and people of the medieval Tower of London

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The Medieval Palace takes you back to the 1200s and into the households of kings Henry III and Edward I. This was a crucial moment in the Tower of London’s history – when it expanded to become the mighty fortress we know today.

Meet the many people who lived and worked in these spaces from powerful queens Eleanor of Provence and Eleanor of Castile, to the hundreds of servants who worked in their households.

Newly refurbished in spring 2025, the Medieval Palace comes alive with lavish textiles and colourful wall paintings, providing a glimpse into the richness of the medieval world. 

A soundscape will immerse you in the middle ages, with music from the 1200s, crackling fires, and prayers in Latin emerging from the chapels. You can even get your hands on a range of models and replica medieval objects.

The Medieval Palace re-presentation has been generously supported by Herbert and Ellen Kozlov, Graham and Joanna Barker and The Fishmongers’ Company.

Wide shot of St Thomas Tower showing Traitors Gate and South Ramparts.

Image: St Thomas's Tower. © Historic Royal Palaces

Look out for Rufus the Rabbit hiding in the illustrations throughout the Medieval Palace. © Historic Royal Palaces

St Thomas’s Tower

The first stop is St Thomas’s Tower, built for Edward I as an imposing new riverside gatehouse, from 1275-9, by Master John of Beverley – one of the great stonemasons of his age. This formidable exterior reflects Edward’s reputation as a hardworking and powerful but also cruel and hot-tempered king.

Inside, the first room was probably the king’s hall, and you can see traces of a huge fireplace on the wall. Around it are luxurious hangings decorated with the arms of England and Castile and in front is the stonemason’s table, heavy with plans and tools.

The route then leads you into the royal households of Edward I and Eleanor of Castile – where hundreds of nobles and servants attended to their every need. Feeding so many people was a huge challenge and on display is an amazing medieval fish trap – discovered in the Tower’s moat. The households consumed huge quantities of fish, particularly during religious fasting when meat was forbidden.

The final room of St Thomas’s Tower is Edward I’s bedchamber, recreated with a magnificent furnishings and crackling fires. The influential Eleanor of Castile would have had a huge impact on how these spaces were decorated. Touch the sumptuous fabrics and listen to voices speaking in Anglo-Norman (a version of French spoken at court), and Latin prayers uttering from the chapel.

Wakefield Tower

Next up is the Wakefield Tower, built for Henry III, Edward’s father, as part of a grand new suite of royal apartments. The Tower is richly decorated with a medieval throne, wall paintings above the fireplace, and a painted chapel screen – all based on surviving medieval images and accounts. You can touch a model of the three lions which made up the royal arms – as depicted in a wall painting above the fireplace.

Henry III’s long reign almost ended in disaster after losing control to rebel barons. Henry was thought a great patron of the arts who rebuilt Westminster Abbey in honour of his favourite saint – Edward the Confessor.

Being a medieval king or queen was no easy task and this room explores what qualities were expected. Did our cast of characters meet, or fail to meet, these heavy expectations?

The Death of Henry VI

The Wakefield chapel is associated with Henry VI who died in 1471 while a prisoner at the Tower. Some say he was murdered while at prayer in this space. Since 1923, the Ceremony of Lilies and Roses marks his death on 21 May.

interior of the Wakefield Tower with new displays, the replica throne of King Edward and a big candelabra hanging from the vaulted ceiling.

Image: Interior of the Wakefield Tower with new displays and a replica throne of King Edward I. © Historic Royal Palaces

Lanthorn Tower

After journeying along the battlements, you’ll arrive at the Lanthorn Tower, built in 1220-38, and likely part of Eleanor of Provence’s private apartments. Eleanor was a powerful and influential queen who was fiercely protective of her family. Her apartments at the Tower were adorned with beautiful wall paintings of roses and false masonry.

The Lanthorn Tower displays wonderful medieval objects which tell the story of life in the Medieval Palace. Explore themes such as medieval food and feasting; childhood and education; and royal religion.

These objects include a toy knight from around 1300, coins minted for Edward I at the Tower of London, and a beautiful enamelled Pyx – a small box for keeping the Communion bread after it had been blessed by a priest. You can also touch a replica of the great seal of Henry III.

Close up of Edward I silver groat; Edward I's portrait on one side

Image: A silver coin minted during the reign of Edward I at the Tower of London, showing Edward I's portrait on one side. © Royal Mint Museum

Jewish history and the Medieval Palace

The new Medieval Palace explores the important Jewish medieval history at the Tower. Medieval London had a large Jewish community before they were expelled by Edward I from England in 1290. St Thomas’s Tower was partly paid for with Jewish taxation and many Jews lived near and worked with the Tower and its people.

On display in the Lanthorn Tower is a stone from a Jewish ritual bath, called a mikveh – on loan from the Jewish Museum London. It is rare evidence of London’s expelled Jewish Community.

The Tower and the City

Medieval London was home to a rich and diverse community, with merchants bringing produce from all over the world. The Tower and the City had a close but turbulent relationship – Londoners had a long tradition of siding with royal enemies, so the Tower was often a focus for rebellion and attack.

This relationship is more harmonious today and in 2025 we collaborated with a local community group to produce a stunning new tapestry, which explores Tower Hamlets, its buildings and people.

Image: 'Generations of play', a tapestry created in collaboration with local community group, Stiches in Time. © Historic Royal Palaces

Listen to the podcast

In this new three-part series Curator Charles Farris explores what the Tower of London was like in medieval times. Episode one is available below:

More episodes

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