Sir Christopher Wren is one of the most recognisable names in British history, and has a strong claim to the title ‘Britain’s Greatest Architect’. He was the artistic genius responsible for so many of the most iconic buildings in London.
Here, Head of Historic Buildings Daniel Jackson looks at one of Wren's most famous and problematic projects: the remodelling of Hampton Court Palace.
It's now 300 years since the death of Sir Christopher Wren, at the age of 91 in 1723. We are taking the opportunity to look in more detail at one of his most important buildings, Hampton Court Palace. Here his ambition and creative talent came up against William III and Mary II’s lack of funds and the complications of bringing Henry VIII's sprawling early 16th century palace up to the modern standards expected by 17th century royalty.
Image: Sir Christopher Wren by Sir Godfrey Kneller. © National Portrait Gallery, London
New beginnings
Wren enters Hampton Court’s story at a crucial turning point. The palace had only recently survived the English Civil War, where Parliament had been very close to flattening the buildings and selling off the parks. William and Mary visited shortly after they arrived in England to claim the throne.
The King and Queen loved the palace's location, out of the city, near the river, and surrounded by parks and hunting grounds. But the palace itself left much to be desired. They employed Christopher Wren, already an accomplished architect, to design a new royal palace in the fashionable new Baroque style.
Tear it all down
Wren’s original plans, many of which survive in the archives at the Sir John Soane's Museum, involved the near complete demolition of the palace.
Thankfully for all fans of Tudor architecture, the plans were revised numerous times to reduce the costs. The result still required a large section of Henry's palace to be destroyed, but important buildings like the Great Hall and Chapel Royal were saved.
Image: The Tudor Great Hall at Hampton Court Palace. © Historic Royal Palaces
Image: 16th century doorway, cut in half and hidden behind panelling by Wren during the construction of the Baroque Palace. © Historic Royal Palaces
Hiding the cracks
This compromise created many challenges for Wren and the evidence of how he solved these are all around you when you visit Hampton Court Palace today. Many of the challenges were simple, for instance where the Tudor Palace comes to an abrupt end and is hidden behind the Baroque panelling, but others required much more effort to overcome.
Problem 1: Where to put the front door?
When laying out Hampton Court Wren decided to line the new eastern entrance up with the Long Water, a huge canal built by Charles II. This looked fantastic from the outside, but because the Chapel Royal was still standing, the internal courtyard was left squashed and asymmetric.
Recognising that this compromised the space Wren added a cloister, with kitchens and storerooms surrounding the central open lawn, making Fountain Court a set piece to be viewed, but rarely visited, by the Royal Family.
Take a look around Wren's Fountain Court on our 360-degree image, created in partnership with Google Arts & Culture.
Problem 2: Keeping the floors level
Another issue can be seen in the same courtyard. Wren had to work with the existing first floor level of the Tudor state apartments and was keen to avoid adding a step between the old and the new. This made it difficult for Wren to make the design fit classical architectural proportions.
Here, he solved the problem by building the main elevations to the expected size, but then adding a lower, vaulted internal ceiling. He then went a step further by adding these beautiful carved stone details to make the decision appear to be a design choice, rather than a structural one.
Image: Here Wren disguises the low level of the first floor in Fountain Court with beautiful carved decorations, including William III and Mary II's cipher. The decoration continues onto the main elevation where a fearsome Medusa leers out of the keystone. © Historic Royal Palaces
Problem 3: Hiding the old palace
Much of the old Tudor palace was in a poor state of repair, and Wren didn't want these rundown buildings making his new work look shabby. He constructed this elaborate colonnade to help hide the old Tudor buildings, and at the same time create a grand formal entrance to William's State Apartments.
Image: Clock Court Colonnade looking south. © Historic Royal Palaces
Wren's legacy
Wren's work at the palace was innovative and extraordinary, but it also resulted in the destruction of almost half of the Tudor palace, including nearly all of Henry VIII's private apartments. Of course, without this intervention the palace may have fallen into complete disrepair, which would likely have led to its eventual demolition.
Visit Hampton Court Palace to enjoy the architectural riches Wren created, but spare a thought for all that was lost to make space for it.
Daniel Jackson
Head of Historic Buildings
Historic Royal Palaces
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