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An American visitor to Kew Palace in 1753

Date: 04 July 2019

Author: Joanna Marschner

In the summer of 1753, it must have been with apprehension and excitement that the Pinckney family from South Carolina awaited an audience at the White House, Kew with Princess Augusta, Princess Dowager of Wales, the mother of the future King George III.

The occasion had taken considerable planning, successful lobbying on the part of local connections, and rigorous checking of their credentials. In their favour was Charles Pinckney's membership of the royal council of South Carolina, and his wife Eiiza's reputation as a successful entrepreneur, plantation owner, and slaveholder was equally important. Her business was concerned with sericulture – the production of silk – and in growing indigo, a common crop in West Africa, which flourished as a result of the labour and expertise of her enslaved workforce.

Since the dawn of English Atlantic imperial ambition, royal sponsorship had fostered colonial development, frequently targeting projects that served economic and socio-cultural ends. Certain commodities appealed particularly to members of the royal family, keen to bolster their credentials as patrons of knowledge, commerce, manufacturing, and the arts. A public demonstration of royal support for the textile industries of the nation, and its interests abroad, was already well established. Princess Augusta's mother-in-law had championed the wearing of American raised silk at the court in London in 1736. Plus, Augusta and her late husband Frederick, Prince of Wales had not only required all those attending their court to wear textiles of British manufacture, but toured silk weavers' workshops in Spitalfields with their older children to further signal their support. Public knowledge of such campaigns was so widespread it emboldened the Pinkneys to travel to London to lobby for support for their own industrial concerns. However, the visit was very nearly a disaster. The Pinckney's arrived so late at the White House – the home favoured by Princess Augusta since the death of her husband – that the Princess had left for a drive. However, astutely, Eliza left the household staff with the gifts they had carried so carefully from America, together with a little note written by their 4-year-old daughter, Harriott. The present comprised of three American birds – an 'indigo bird, a nonparreil, and a yellow bird'; that is a blue linnet or indigo bunting (Passerina cyanea), a painted finch or painted bunting (Passerina ciris), and an American goldfinch (Spinus tristis). Augusta, who maintained an aviary in her garden at Kew must have been charmed and delighted and sent a note inviting the family to return the following day.

Image: 1754, Augusta of Saxe-Gotha, Princess of Wales (1719-72). The Princess is wearing crimson state robes. © Historic Royal Palaces

Half-length portrait of Augusta of Saxe-Gotha, Princess of Wales (1719-72).  Bust-length portrait showing the middle-aged, Princess wearing crimson state robes, and spectacular diamond jewellery including stomacher ornament, necklace, earrings and hairpiece. Historic Royal Palaces

The detail of the visit and conversation that took place was recorded in great detail by Eliza in a letter written to an unnamed friend, now preserved in the collection of the National Society of the Colonial Dames of America in the State of South Carolina. Early anxiety, disappointment, and the rigours of working within the structures of royal etiquette were forgotten as the two mothers and their families enjoyed an enlightening conversation that would leave deep impressions and material legacy. These two women of privilege in their respective worlds questioned, discussed, and admired each other's accomplishments and lifestyles – giving shape to their preconceptions about empire, environment, and family. Perhaps to find common ground, the conversation first touched on the challenges of motherhood and attitudes to parenting. Augusta had ensured that her young children were present and sat with Harriott Pinckney cuddled on her knee; the little girl had burst into tears, overawed by the occasion. The discussion would later move to matters of education and health in the young, including the benefits of breast-feeding. Eliza was quick to bring up the matter of her business concerns, explaining the detail of her industrial practise, including the troubling use of an enslaved workforce, which led to debate about Eliza's part in an imperial trading framework and racial politics more generally. Interruptions from the children brought an informality and humour to the occasion. In 1755, as a thank you, Eliza sent Princess Augusta a 'Piece of Silk Damask of the Growth and Product of [their own] Plantation [...] And dyed a fine Blue piece with Carolina Indigo'; a gift which wonderfully stands to represent the indigo dye, the birds, the royal promotion of textile industries, and the colony. As Eliza remarked of the visit, it had all seemed 'pretty extraordinary to an American'.

Joanna Marschner
Senior Curator

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